翻訳と辞書
Words near each other
・ Mark Makin
・ Mark Malamud
・ Mark Lewis Jones
・ Mark Lewis-Francis
・ Mark Lewisohn
・ Mark Leyner
・ Mark Liberman
・ Mark Lidzbarski
・ Mark Light Field at Alex Rodriguez Park
・ Mark Lilla
・ Mark Lilley
・ Mark Lillis
・ Mark Lind
・ Mark Lindley
・ Mark Lindquist
Mark Lindquist (sculptor)
・ Mark Lindsay
・ Mark Lindsay (disambiguation)
・ Mark Lindsay (footballer)
・ Mark Lindsay Chapman
・ Mark Linett
・ Mark Linfield
・ Mark Linkous
・ Mark Linn-Baker
・ Mark Linz
・ Mark Lipka
・ Mark Lipovetsky
・ Mark Lipparelli
・ Mark Lippert
・ Mark Lipscomb, Jr.


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Mark Lindquist (sculptor) : ウィキペディア英語版
Mark Lindquist (born 1949) is an American sculptor in wood, artist, author, and photographer. Lindquist is a major figure in the redirection and resurgence of woodturning in the United States beginning in the early 1970s. His communication of his ideas through teaching, writing, and exhibiting, has resulted in many of his pioneering aesthetics and techniques becoming common practice. In the exhibition catalog for a 1995 retrospective of Lindquist's works at the Renwick Gallery of the Smithsonian American Art Museum, his contributions to woodturning and wood sculpture are described as "so profound and far-reaching that they have reconstituted the field". He has often been credited with being the first turner to synthesize the disparate and diverse influences of the craft field with that of the fine arts world.==Early Achievements==Lindquist's work is characterized by an empathy with the natural aesthetics of wood, technical innovation, and art historical connections. Among his notable early achievements was the introduction of the aesthetic of Asian ceramics into American woodturning. Along with his father, wood turning pioneer Mel Lindquist, he also developed new tools and techniques that expanded the vocabulary of woodturning, and pioneered the use of spalted wood. In the early 1980s, he applied techniques he had developed for large-scale woodturning to create his massive, textured "Totemic Series Sculptures," in the Modernist tradition of Brâncuși.

Mark Lindquist (born 1949) is an American sculptor in wood, artist, author, and photographer. Lindquist is a major figure in the redirection and resurgence of woodturning in the United States beginning in the early 1970s. His communication of his ideas through teaching, writing, and exhibiting, has resulted in many of his pioneering aesthetics and techniques becoming common practice. In the exhibition catalog for a 1995 retrospective of Lindquist's works at the Renwick Gallery of the Smithsonian American Art Museum, his contributions to woodturning and wood sculpture are described as "so profound and far-reaching that they have reconstituted the field".〔 He has often been credited with being the first turner to synthesize the disparate and diverse influences of the craft field with that of the fine arts world.
==Early Achievements==
Lindquist's work is characterized by an empathy with the natural aesthetics of wood, technical innovation, and art historical connections.〔〔 Among his notable early achievements was the introduction of the aesthetic of Asian ceramics into American woodturning.〔〔 Along with his father, wood turning pioneer Mel Lindquist,〔 he also developed new tools and techniques that expanded the vocabulary of woodturning, and pioneered the use of spalted wood.〔〔 〕 In the early 1980s, he applied techniques he had developed for large-scale woodturning to create his massive, textured "Totemic Series Sculptures," in the Modernist tradition of Brâncuși.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアでMark Lindquist (born 1949) is an American sculptor in wood, artist, author, and photographer. Lindquist is a major figure in the redirection and resurgence of woodturning in the United States beginning in the early 1970s. His communication of his ideas through teaching, writing, and exhibiting, has resulted in many of his pioneering aesthetics and techniques becoming common practice. In the exhibition catalog for a 1995 retrospective of Lindquist's works at the Renwick Gallery of the Smithsonian American Art Museum, his contributions to woodturning and wood sculpture are described as "so profound and far-reaching that they have reconstituted the field". He has often been credited with being the first turner to synthesize the disparate and diverse influences of the craft field with that of the fine arts world.==Early Achievements==Lindquist's work is characterized by an empathy with the natural aesthetics of wood, technical innovation, and art historical connections. Among his notable early achievements was the introduction of the aesthetic of Asian ceramics into American woodturning. Along with his father, wood turning pioneer Mel Lindquist, he also developed new tools and techniques that expanded the vocabulary of woodturning, and pioneered the use of spalted wood. In the early 1980s, he applied techniques he had developed for large-scale woodturning to create his massive, textured "Totemic Series Sculptures," in the Modernist tradition of Brâncuși.」の詳細全文を読む



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